Remnantology

Dedicated to the examination of the remnants. Phil Levy's words in reference to history, archaeology, Judaism, academe, music, outdoorsing…

A Maddening Experience to Which all Historians Can Relate,

Here Told in Narrative Form and Entitled The Hunt, or, a Tale of Relentless Page Turning in Order to Find That Which Should Have Been Made Clearer at the Outset, or, To Every Quotation There is a Citation Which to Locate I Must Turn, Turn, Turn.

Dedicated to the irritating writers everywhere who feel a need to cleverly reinvent to their own purposes and in their own fashion the perfectly fine system of citations outlined in that Good Book from Chicago.

Zounds, says I, Indeed, a more helpful quotation on this topic I have not yet seen. Let me stray from my reading and peruse the origin of the handy tidbit so as to read more of it from its place of origin. I see it is listed here as endnote two. Two? I muse—that seems odd as it appears on page 50—surely mine good literary host has included citations before this one in 50 hearty pages of writing? Lo—he has! But he has chosen to begin the numbering of each chapter’s citations anew chapter by chapter! What purpose does this lunacy serve? No matter, all I needs do is look at the top of the page to see what chapter I am amidst and then turn as needed. But what is this? No indication at all on the page to show in which chapter we the poor readers are marooned! I must turn back to the start of the chapter to know its designation. But I know not where it began, for it is the index that is my native guide though this texta incognita—or was the author so arrogant as to think that we readers would actually slog though his prose to find what we want? Each page must be carefully turned back lest I miss the one place where the chapter name in listed. At last, here it is, and written in Roman Numerals—what a kindness Tullius Maximus Iackuss has offered to those of his readers who, by some miracle, hail from antient Rome. There it is, Chapter XIV. Now all I needs do is turn turn turn to locate the vicinity of the book where the notes are hidden—what a lucky hap for me that I have nine fingers on one hand so that I can keep my increasing number of places. At last, I arrive at the citation—and what do I see? GHY: 20: 7. What on earth is that supposed to be? Ah! It is an abbreviated indication of some larger collection, and in goes another place marking finger and begins again the turning turning turning, this time back to locate the start of the series of citations to find my goal. But what is this? Our author has chosen to divide his list of abbreviations into three separate subgroups aligned along category lines that he, and only he, could find meaningful. To your beleaguered correspondent’s chagrin, each of three different alphabetical lists must be consulted before the arcane reference is finally spied in the third of the three lists. At last I have the citation—it of course, is for something singular and housed only in an archive across the sea in England!

With a heavy heart, I move to write down the reference, but find that my fingers are twisted in knots and bound up within the execrable monograph to such an extent that it takes the aid of a comrade to extricate the poor curious digits.

The lesson is clear dear friends, and please let my sad experience be a warning to all who venture into the game of citation production. For the love of all that is holy and good in this weary world, create citations that will help and not hinder

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