Remnantology

Dedicated to the examination of the remnants. Phil Levy's words in reference to history, archaeology, Judaism, academe, music, outdoorsing…

Category Archives: History

Capturing COVID-19

Miller 2Scott Miller is a PhD student at the University of South Florida. His area of concentration is 20th Century American history with a focus on the Cold War.

Capturing COVID-19

“For several days there were no coffins and the bodies piled up something fierce, we used to go down to the morgue (which is just back of my ward) and look at the boys laid out in long rows. It beats any sight they ever had in France after a battle.” This is an excerpt from a letter written by a doctor stationed at Camp Davens (Massachusetts) during the 1918 influenza epidemic. Letters, diaries, and photographs from that period have provided historians with invaluable insight into the pandemic that took over 20 million lives.

As the world wrestles with a new pandemic, historians around the world are mobilizing to document this crisis for future generations. A recent New York Times article discussed how museums in such countries as Finland, Denmark and Switzerland are scurrying to record history as it unfolds.[1] The staff at Denmark’s Vesthimmerlands Museum have been busy capturing  photographs of the empty streets and shut down stores.  Museum curator Maria Hagstrup is quoted as saying, “Usually, we think of a museum as a place with objects behind solid glass. But right now, we have a chance to get people’s impressions in the moment, before they’ve even had time to reflect on them.”  When it is safe, the museum also hopes to collect objects relevant to the pandemic.

Here in the United States, several historical associations are reaching out to the public for help recording current events.

The Connecticut Historical Society has created a portal for residents to upload their personal stories, photographs and drawings. “We are living in historic times. We recognize that primary source material is the ingredient that history is made of,” said Ilene Frank, chief curator of the historical society in a recent interview. “One hundred years from now, people will be able to study the statistics about how many businesses closed, how many people got sick. We want the human touch, capturing the experience of living during this time.”[2]

Minnesota’s Historical Society isn’t new to documenting history in the moment. In 2016, following the death of native son Prince, the Society collected residents’ stories and photographs of the musical legend. Today, they are requesting COVID-19 related digital submissions— stories, images, sound files, or moving images.  Some selected material will be posted on social media, and some preserved at the History Center.

The Maryland Historical Society has created Collecting in Quarantine. The initiative consists of two parts. The first,  Letters from the Homefront, is asking Marylanders to email their first-person accounts of how this pandemic is affecting their lives. The Business Unusual element is requesting photographs to tell the economic impact side of this crisis.

[1] https://www.nytimes.com/2020/03/31/arts/design/museums-coronavirus-pandemic-artifacts.html

[2] https://www.courant.com/coronavirus/hc-news-coronavirus-connecticut-historical-society-20200403-5hj62dnw3zfpbpkfm37ps3e5zi-story.html

 

Surveys and Plats at George Washington’s Birthplace.

Here’s how this worked. A surveyor and his assistants would walk or ride the “metes and bounds” of a property noting the distinguishing landscape features that defined the various corners and limits of a property. Sometimes the border was a creek. Samuel Lamkin’s 1813 survey of the old Washington lands at GeWa for example, began his survey at Bridges Creek and then followed the run of “the said creek the several meanders thereof.” Other times it was a road or fence. A survey would often include notable landmarks like the “red oak at Pea Hill Gate” Lamkin singled out because any local would know just what he meant. Other times a party might make their own marks when nothing obvious was in sight.

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The opening lines of Samuel Lamkin’s 1813 survey as reprinted in 1859.

Three Chopt Road west of Richmond, Va for example is named for just such a surveyor’s mark. Not all markers survived though. Seventeenth-century surveys of the area that became Williamsburg, Va often referred to a now-long-lost large stone. No has ever located that exact spot adding a fun element of guess work to understanding property lines.

The game then was for the survey team to measure the direction and distance between each point as the team came upon them. So a survey was more in the form of what used to be called a “rudder,” — a verbal and numerical description of a walk over the land. Again from Lamkin: “Thence S 42 ½ [degrees] W 16 poles to Wakefield Gate at H.”

The next step was to “plat” the survey–to draw it as a map: to change the words to a form of art. Not all surveys were platted, but plats are among my very most favorite forms of documents around. The best have the survey written on them as well so you can sort of trace out the path yourself. These documents are full of detailed landscape information while giving us the opportunity to see the land as it was understood and prioritized in the past.

We are lucky that the Washington land had several surveys and plats over the years. These are vital tools in reconsidering the place and making it all make sense.

One of the earliest is the Robert Chamberlain’s 1683 map of the land that shows the location of John Washington’s (1631-1677) house on the right in relation to the Potomac River at the bottom of the map. The play is a masterpiece of the art form. From the compass sign to the little symbolic houses (stay tuned for a post about those), this is master craftsmanship here.

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Robert Chamberlain, 1683

Not all plats are as clear as this one though. The Library of Congress has an obscure collection of Washington related documents that bear on the GeWa story. Take a look at this crazy plat and see if you can understand it. It represents a subdivison of what should be Washington and neighboring land from sometime in the early 18c. The waterway on the right is the Potomac. Note how the drafter has used hash marks to indicate shore lines. He has made the river rather narrow and shows the Maryland shore on the far right. But look at how those hash marks work along Pope’s Creek on the bottom of the map. See the problem? I guess this is the first survey plat By M. C. Esher.

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Samuel Lamkin’s 1813 plat and survey is one of the most useful documents for trying to figure out some site mysteries. This is one we will return to again and again as I blog this project.

Photostat of survey plat Lamkin 1813 COLOR

Samuel Lamkin, 1813

George Washington’s Birthplace on C-SPAN.

So you want a doctorate in history….

In the field of history, all doctoral programs are built on the intentions of the first mitzvah in the Torah — Pru Uvru — be fruitful and multiply. The idea is to produce the next generation of faculty to take off when we all, I dunno, die, I guess. If the Talmud’s Sages were to rule on a doctoral program they might conclude that a faculty member has fulfilled this professional mitzvah once they have hooded one student—or better yet, when that one student has a tenure tack job. In fact, many faculty reproduce more like Ghengis Khan than like a pair of well-to-do physicians in today’s Frankfurt or San Francisco. MyHorseFeathers-Groucho dissertation director oversaw somewhere in the range of 75 newly minted PhDs in his long career. Virtually all of them hatched into good academic jobs. Few today though could claim such professional fecundity—the world has changed so much in such a short time. Forty years of budget cutting, maligning, and beast starving has turned what was once a somewhat prestigious pathway to modest middle class comfort into a medieval cast system where all rewards accrue to a few while armies of overqualified contingently employed souls toil trapped in a dead end that makes the title “professor” a painful insult.

Each year people like me have to sit with ambitious, intelligent, motivated budding scholars and are called upon to smash to pieces their dreams of an academic career—no, I cannot fulfill the mitzvah of professional Pru Uvru on your behalf. Larry Cebula put it more bluntly in his noted 2011 post “No, You Cannot be a Professor.”

While I share much of Larry’s outlook, I am not totally on board—and that is why I wanted to write this here so that I don’t have to do it over and over each cycle. Each year I have more or less the same exchanges about how to get into a program and what to expect. I am restricting myself here to the front end–this is not meant to be a post about the job market–but obviously the market and admissions blend. My own experience with students denies me the ability to say that they cannot be professors—I know for a fact that they can be–real ones, tenure track and all. But—and this is a big one—they have to be pretty exceptional. By that I mean that there is a magic combination of ambition, stick-to-it-ness, and raw talent that also needs to fuse with some other sort of off-screen alchemy—skills, background, experience, and so on—that can make one stand out. On top of that, one had better be ready to publish, attend, and self-promote from the start. Long gone are the days when one could wait out an economic storm by hiding in grad school.

These days, that is like hiding from the rain by running into the nearest house. But the house is inhabited by a human flesh eating Minotaur, and is a working abattoir with massive sharp blades spinning and skittering every which way, and is on fire. All told, you are better off staying in the rain. So, take a deep look into your soul dear applicant and ask yourself the hard questions. What did you write in your Statement of Purpose? Did you share your life-long love of history? Did that begin when your family visited historical sites? Did [fill in topic here] fascinate you even from childhood? If the answers here are yes, then thank you for playing—Doris will meet you at the door with some lovely parting gifts (who am I kidding? As if we would have the budget for parting gifts! We don’t even have the money for cookies in a monthly meetings!).

Lesson One: Grad School is a Job. You are asking the state or a private institution to fund you to be a student—that funding comes in the form of small stipends and in the form of tuition waivers. If you are not in the running for funded education, or have been accepted to a program that wants you to pay for the privilege, well, I see Doris coming with your parting gifts.

Price-is-Right-Game-Show
http://www.wonderlist.com

Past performance is the only visible (albeit imperfect) measure of future success. What have you published thus far (I had a history magazine article under review when I applied)? What projects have you worked on that bear on what you intend to do with the school’s money? Conferences presented at so far? As the old saying goes—dress for the gig you want, not the one you have. So, show us how you have been dressing up as a working scholar already. A good statement of purpose needs to read more like a research grant than a personal bio—since from the school’s perspective you are asking for its money. So unless you can muster that sort of letter, save yourself the trouble. Doris…..?

Lesson Two: Doctoral Study is Relational. As a doctoral candidate you will be building, ideally, a fairly close and long lasting relationship with another human being—preferably one whose work you find influential. That is not to say that you need to be a clone, but the mentor relationship is the core of the experience. It is your mentor’s name you will cash in on at first and it is their contacts list that will constitute your first line of professional allies. In most cases, your first opportunities will come from their projects, and of course you will spend years learning to write to their standard. It is surprising how many people apply without even so much as a mention of the name of the person their interests suggest they will be working with. Astounding! If that is you, you have failed Test One—and it is a biggie.

You are asking the school to pay you to do research, and yet you failed to even research the department enough to convincingly talk about how Professor Magic has shaped your thinking on Your Chosen Topic, and how she/he is an ideal match for your work. On top of that, what sorts of university resources, ancillary programs, library collections, and so on are vital to your success in Your Chosen Topic? If the best you can muster for a reason to attend a program is proximity, well, Doris is ready with your basket. There is also a secret punch line here. Grad school is not undergraduate education, and admissions do not work the same way. Sure, past grades and all that are important. But more important is if Professor Magic wants to take you on as a student! Yes, that’s right, this is a buyer’s market and the merit of a student’s interests are central to admissions. It is not an issue of snobbery—it is one of workload and realistic expectations. Will Professor Magic be on leave? Does she/he have too many students now or a book deadline they are pushing? Is what you want to do close enough to Professor Magic’s work that they feel they can help you in the first place? If you have not researched these questions before you apply, and even perhaps met with Professor Magic for coffee to talk this all over, then Doris is tapping you on the shoulder.

Lesson Three: History Programs Train You to Be a Historian. Not Much Else. No Plan B (formerly known as Plan B) has been a big topic in virtually every academic historical society. Departments all over the land are soul searching and head scratching to see what else new PhDs can do other than being professors. In truth, I don’t think the news is great here. People trained to be professors and who have been successful in that role are not the best positioned to teach you to work in business, say for example. Ask yourself this question: what skills can I learn in a doctoral program that I cannot gain in some other more time and cost-effective way? In most cases, there answer is not many. No matter how much we fret about it, doctoral training is still Pru Uvru—we are still training people to be professors. These days that means much more attention to digital media than a decade ago, and that is good news. But the computer training one might get in a history department is a pale shadow of what you might get elsewhere or even on your own. The challenge of digital media to the way history is practiced is really one of disrupted information delivery systems and author credentialing. There is not a mini job boom in digital history outside of a few job listings—at least not one outside academe large enough to set a career upon, and probably not one for which you need a doctorate. The centerpiece of doctoral education is still the dissertation—and that remains a book- length written work resting on original research. We are approaching a time where it may be commonplace for dissertations to be digital projects, and some of those projects might be patentable software or marketable digital projects.

I for one welcome that—and I am working with students who see the world that way. But—if such a project is to be successful, it will rely on coding skills and computer knowledge gained well before doctoral study began. Class work will be working towards prepping candidates for an average of three comprehensive exams in various fields each resting on a reading list of between 60 and 100 books. There is not a lot of time to become masterful at coding in that preparation period, and so far, few in any programs have been willing to throw away the old models to make room for something new. But then again, if you are applying I am sure you have done all the research to understand upfront just what the program will be asking of you….! Is there an ongoing digital program or project at your chosen school that is central to what you propose to do? Again, I am sure you will have noted that in your researching the program. If not, Doris is waiting.

Lesson Four: Just Because You Like it Does Not Make it a Field. Sorry boys, WWII is not an academic field. Modern Europe is, but not a war—no matter how much TV seduces you over and over with endless press-molded documentaries. From the very beginning you need to be defining yourself and your interests in terms the field understands. This is a guild, and you are a supplicant asking the guild to dispense resources to recognize you as one of its own. It is a quirky guild—we love nothing more than a member who can shake things up. But it is also a classic case of needing to know the rules before you can break them. If you cannot define yourself in terms the guild recognizes, then it will have a hard time seeing you as a prospect.

One way to get in the swing is to look at the current job adds posted by H-net and the AHA. But of course there is a catch. The discipline is super fashion conscious. I won’t say that we mindlessly chase shiny objects, but since we are always looking to up turn the world, or to have our worlds up turned, we are sensitive to new ideas—and pretty into them. So even though it pays to know what is hot at the moment, know that while also knowing that there will be something else hot in a few years or even less. And nothing is less hot than last year’s fashion. The ideal topic is one that seems cutting edge at the moment of proposal, but has the elasticity to morph into the new cutting edge six or seven years from now. That is one heck of a challenge—but Doris is waiting if it is too much.

Know this though. None of us on this side of the line are happy about the current situation. We want to retire, eventually, and at our retirement dinners we want to be surrounded with friends and family—and especially by the many students whose careers we helped start. Setting a promising student’s career in motion and watching them mature into a confused, overloaded, and bitter faculty member is one of life’s great pleasures. If we had our druthers, programs would be fully funded and there would be scads of creative opportunities—we could get back to pretending that academe was a meritocracy. Ah, the old days! But others have set us all on this path and we are just along the dismal ride. So am I saying Nevermore? Not really. What I am saying is tread softly and advisedly in the minefield, and put yourself through the wringer before you put yourself through the wringer. But, you should probably just not put yourself through the wringer. Here comes Doris with some nice gifts and nice life outside academe.